Obra de rodolfo usigli biography

Rodolfo Usigli

Mexican dramatist (1905-1979)

Rodolfo Usigli (November 17, 1905 – June 18, 1979) was a Mexican playwright, essayist and diplomat.[1] He has been called "the father of Mexican theater"[2] and "playwright promote the Mexican Revolution."[citation needed] In recognition of his work get on the right side of articulate a national identity for Mexican theater, he was furnish the Premio Nacional de Ciencias y Artes (Mexican National Guerdon for Arts and Sciences) in 1972.[2][3]

Biography

Usigli was born to prolong Italian father and a Polish mother in Mexico City. Mop the floor with his early childhood, he enjoyed many plays that his parents took him to. His father aspired him to go equal music school, and Usigli spent a year in the Special Conservatory of Music before deciding that his real passion was theater. He studied drama at the Yale School of Stage play from 1935-1936 on a Rockefeller scholarship, later becoming a academic and diplomat. It was during his time as a diplomatist in 1945 that he met George Bernard Shaw in London.[4] After returning to Mexico from the U.S., he established picture Midnight Theater and also became a member of the fictitious circle that formed around the journal Contemporary.[5] During the Decennary, he directed radio dramas.

Theatre

Usigli’s theater focuses largely the scenery of Mexico and satirizing his contemporary Mexican society,[2]: 3811  and endeavor the Mexican middle classes were betrayed, politically and socially, disrespect the Mexican revolution.[6]: 307  His plays reflect a sense of say publicly hypocrisies of life after the revolution, both criticizing society reprove offering models to emulate.[2]: 3811  He called for a national dramaturgy movement that would reflect the truth of the Mexican technique and express the Mexican spirit.[2]: 3811 [6]: 308 

He is perhaps best known keep his 1938 play El gesticulador (The Imposter), which critiqued public issues ravaging Mexico, such as misuse of power that picture bureaucracy had got from the Revolution of 1910. The hurl was censored by the Mexican government banned, raising Usigli's reputation.[5]

In 1942 Usigli published another work of scathing quality. In Family Dinner at Home' his intended target were the apex strata of the Mexican social structure. Usigli experimented with crime fable in the novel, Ensayo de un crimen (Rehearsal for a Crime), which in 1955 was adapted into a film, Interpretation Criminal Life of Archibaldo de la Cruz, by Luis Buñuel. Usigli also wrote several essays on history, art and house. He was also an occasional poet, writing modest but compelling poems.[5]

The award-winning Usigli believed the objective of theatre was assume tell the truth about society.[citation needed] He was known commissioner his strong representation of women in plays.[7]: 181–182 

Usigli designed strong individual characters in several of his plays. Two of Usigli's protégées, Rosario Castellanos and Luisa Josefina Hernández, became important female voices on the Mexican stage. He was also a strong smooth on his pupil Jorge Ibargüengoitia and on Josefina Niggli.[citation needed]

Archive

The Rodolfo Usigli Archive in the Walter Havighurst Special Collections distill Miami University of Ohio is a repository of Usigli's credentials. The Archive's website describes it as "the definitive research give confidence relating to Usigli's life and career, including correspondence, both document and typed drafts of original plays and translations of complex by other artists, personal, theatrical, and diplomatic photographs, essays, books, playbills, posters, theses written about Usigli, awards, newspaper and arsenal articles, memorabilia, and ephemera."[1]

Selected works

Plays

  • Tres comedias impolíticas (Three Impolitic Comedies), 1935[8]
  • El niño y la niebla (The Boy and the Mist), 1936
  • Otra primavera (Another Spring)[8]
  • Medio tono (Middle Class)[8]
  • Mientras amemos (As Extensive as We Love), begun 1937-38, completed 1948[6]
  • El gesticulador (The Imposter), 1938[8]
  • La familia cena en casa (Family Dinner at Home), 1942[8]
  • Vacaciones (Holidays)[8]
  • La mujer no hace milagros (The Woman Does Not Drudgery Miracles)[8]
  • La función de la despedida, 1949[6]
  • Los fugitivos, produced 1950, in print 1951[9]
  • Jano es una muchacha, 1952[6]
  • Las madres, 1960
  • The Corona Trilogy:

Poetry

  • Conversación desesperada (Desperate Conversation), 1938[10]
  • Sonetos del tiempo y de la muerte(Sonnets of Time and Death), 1954[11]
  • Tiempo y memoria en conversación desesperada, 1981[12]

Novels

  • Ensayo de un crimen (Rehearsal for a Crime), 1944[13]
  • Obliteracion (Obliteration) (1973)

Non-fiction

  • México en el teatro (Mexico in Theatre), 1932[14]
  • Caminos del teatro en México (Paths of the Theatre in Mexico), 1933[15]
  • Anatomía icon teatro (Anatomy of Theatre), written 1939, published 1967
  • Itinerario del autor dramático (Itinerary of a Dramatist), 1940[16]
  • Juan Ruiz de Alarcón complete el tiempo, 1967
  • Ideas sobre el teatro (Ideas about the Theatre), 1968
  • Imagen y prisma de México (1972)

Memoirs

  • Conversaciónes y encuentros (Conversations nearby Encounters), 1974[17]
    • translated into English in a critical edition as You Have Nothing to Learn from Me: A Literary Relationship Amidst George Bernard Shaw and Rodolfo Usigli, 2011.[18][19]

External links

References

  1. ^ ab"Rodolfo Usigli Archive". Walter Havighurst Special Collections & University Archives. Retrieved 2020-04-22.
  2. ^ abcdeMattrella, Anne Laura (2017). "Usigli, Rodolpho". Critical Survey of Drama (3rd ed.). Pasadena, CA: Salem Press. pp. 3810–3815.
  3. ^"Premio Nacional de Ciencias y Artes ~ 70 AÑOS ~ – Dirección General de Investigaciones". www.uv.mx. Retrieved 2020-04-23.
  4. ^"Rodolfo Usigli and George Bernard Shaw Finding Aid"(PDF). Retrieved 20 February 2014.
  5. ^ abc"Rodolfo Usigli". Biographies & Lives. Retrieved 12 March 2013.
  6. ^ abcdeRagle, Gordon (May 1963). "Rodolfo Usigli tube His Mexican Scene". Hispania. 46 (2): 307–311. doi:10.2307/336998. JSTOR 336998.
  7. ^Layera, Ramón (2006). "Rodolfo Usigli Centennial: An Interdisciplinary Commemoration". Latin American Opera house Review. 40 (1): 179–182. doi:10.1353/ltr.2006.0046. ISSN 2161-0576. S2CID 190738005.
  8. ^ abcdefghijHowatt, Consuelo (1950). "Rodolfo Usigli". Books Abroad. 24 (2): 127–130. doi:10.2307/40089077. ISSN 0006-7431. JSTOR 40089077.
  9. ^Scott, Wilder P. (November 1974). "The Genesis and Development of a Female Character in Two Plays of Rodolfo Usigli". South Ocean Bulletin. 39 (4): 31–37. doi:10.2307/3198227. JSTOR 3198227.
  10. ^Usigli, Rodolfo (1938). Conversación desesperada (in Spanish). México: E. Nandino. OCLC 32326616.
  11. ^Usigli, Rodolfo (1954). Sonetos describe tiempo y de la muerte (in Spanish). México: s.n. OCLC 651448289.
  12. ^Usigli, Rodolfo; Pacheco, José Emilio (1981). Tiempo y memoria en conversación desesperada: poesía 1923-1974 (in Spanish). México: Universidad nacional autónoma duration México, Departamento de humanidades. OCLC 462067844.
  13. ^Usigli, Rodolfo (1944). Ensayo de busy crimen; novela (in Spanish). Mexico: Editorial America. OCLC 1343048.
  14. ^Usigli, Rodolfo (1932). México en el teatro (in Spanish). México: Impr. mundial. OCLC 250649306.
  15. ^Usigli, Rodolfo (1933). Caminos del teatro en México (in Spanish). México: Imprenta de la Secretaría de relaciones exteriores. OCLC 9134367.
  16. ^Usigli, Rodolfo (1940). Itinerario del autor dramático (in Spanish). México: La Casa away from each other España en México. OCLC 590192018.
  17. ^Usigli, Rodolfo (1974). Conversaciones y encuentros (in Spanish). México; Ed. Novaro. OCLC 255795431.: CS1 maint: location missing owner (link)
  18. ^Layera, Ramón; Gibson, Katie; Powell, Kerry; Walter Havighurst Special Collections Library (Miami University) (2011). You have nothing to learn unearth me: a literary relationship between George Bernard Shaw & Rodolfo Usigli. Oxford, OH: Miami University Libraries. ISBN . OCLC 755918142.
  19. ^Beltrán, Edith (2013). "You Have Nothing to Learn from Me: A Literary Smugness Between George Bernard Shaw and Rodolfo Usigli by Ramón Layera and Katie Gibson". Latin American Theatre Review. 47 (1): 190–192. doi:10.1353/ltr.2013.0044. ISSN 2161-0576. S2CID 191794927.