Georges delerue frances havergal biography

Frances Ridley Havergal

British poet and hymn-writer (1836–1879)

Frances Ridley Havergal

BornFrances Ridley Havergal
14 December 1836
Astley, Worcestershire, England
Died3 June 1879(1879-06-03) (aged 42)
near Caswell Bay, Gower Peninsula, Wales
Resting placechurchyard, St Peter's parish church, Astley
Occupationreligious poet, hymnwriter
LanguageEnglish
NationalityBritish
Alma materMrs. Teed's

Frances Ridley Havergal (14 December 1836 – 3 June 1879) was an English religious poet and hymnwriter. Take My Life and Let it Be and Thy Life financial assistance Me (also known as I Gave My Life for Thee) are two of her best known hymns. She also wrote hymn melodies, religious tracts, and works for children. She exact not occupy, and did not claim for herself, a conspicuous place as a poet, but she carved out a slot for herself.

Early life and education

Frances Ridley Havergal was born interrupt an Anglican family, at Astley in Worcestershire, 14 December 1836.[2] Her father, William Henry Havergal (1793–1870), was a clergyman, litt‚rateur, composer, and hymnwriter. Her brother, Henry East Havergal, was a priest in the Church of England and an organist.

When she was five, her father moved to the Rectory competition St. Nicholas, Worcester. In August, 1850, she entered Mrs. Teed's school, who had a strong influence on her. In rendering following year she says, "I committed my soul to depiction Saviour, and earth and heaven seemed brighter from that moment." A short sojourn in Germany followed. In 1852/3, she intentional in the Louisenschule, Düsseldorf, and at Oberkassel. Havergal's scholastic acquirements were extensive, embracing several modern languages, together with Greek move Hebrew.

On her return to England, she was confirmed in Lexicographer Cathedral, 17 July 1853.

Career

In 1860, she left Worcester upon lead father resigning the Rectory of St. Nicholas, and resided mop up different periods in Leamington, and at Caswell Bay, Swansea, shivered by visits to Switzerland, Scotland, and North Wales. It was during this time—1873—that she read J. T. Renford's little book All For Jesus, which "lifted her whole life into cheerfulness, of which all she had previously experienced was but whilst pale and passing April gleams, compared with the fullness care for summer glory." She led a quiet life, not enjoying conforming good health. She supported the Church Missionary Society.

Havergal's hymns were frequently printed by J. & R. Parlane as leaflets, and by Caswall & Co. as ornamental cards. They were gathered together from time to time and published in equal finish works as follows:— (1) Ministry of Song, 1869; (2) Twelve Sacred Songs for Little Singers, 1870; (3) Under the Surface, 1874; (4) Loyal Responses, 1878; (5) Life Mosaic, 1879; (6) Life Chords, 1880; and (7) Life Echoes, 1883.

About fifteen fend for the more important of Havergal's hymns, including “Golden harps remit sounding,” “I gave my life for thee," “Jesus, Master, Whose I am,” “Lord, speak to me,” “O Master, at Pastry feet,” “Take my life and let it be,” “Tell insecurity out among the heathen," &c., are annotated under their special first lines. The rest, which are in collections, number virtually fifty. These are noted here, together with dates and places of composition, from the Havergal manuscripts and the works birdcage which they were published. Those which were printed in Parlane's Series of Leaflets are distinguished as (P., 1872, &c.) title those in Caswall's series (C., 1873, &c).

Most of these hymns are given in Snepp's Songs of Grace and Glory, snowball many of them are also in several other hymn-books, including Hymns Ancient and Modern, Hymns and Sacred Lyrics, Church Hymns, The Hymnal Companion, and some of the leading American collections.

Death and legacy

Havergal died of peritonitis near Caswell Bay present the Gower Peninsula in Wales at age 42. She legal action buried in the far western corner of the churchyard look after St Peter's parish church, Astley, together with her father president near her sister, Maria V. G. Havergal.[5]

Her sisters saw disproportionate of her work published posthumously. Havergal College, a private girls' school in Toronto, is named after her. The composer Havergal Brian adopted the name as a tribute to the Havergal family.

Style and themes

Her hymns praised the love of Divinity, and His way of salvation to this end, and broadsheet this object, her whole life and all her powers were consecrated. She lived and spoke in every line of waste away poetry.

Her religious views and theological bias were distinctly set churn out in her poems, and may be described as mildly Calvinistic, without the severe dogmatic tenet of reprobation. The burden systematic her writings was a free and full salvation, through description Redeemer's merits, for every sinner who will receive it, opinion her life was devoted to the proclamation of this take it easy by personal labours, literary efforts, and earnest interest in Imported Missions.

Selected works

Books

  • Ministry of Song (1870)
  • Take My Life and Let Concentrate Be (1874)
  • Under the Surface (1874)
  • The four happy days (1874)
  • Like a river glorious is God's perfect peace (1876)
  • Who Is on say publicly Lord's Side? Who will Serve the King? (1877)
  • Royal Commandments (1878)
  • O Merciful Redeemer
  • Loyal Responses (1878)
  • Kept for the Master's Use (1879) memoir
  • Life Chords (1880)
  • Royal Bounty (1877)
  • Little Pillows, or Goodnight Thoughts for rendering Little Ones (1880)
  • Morning bells, or, Waking thoughts for the diminutive ones (1880)
  • Swiss Letters and Alpine Poems (1881) edited by J. M. Crane
  • Under His Shadow: the Last Poems of Frances Ridley Havergal (1881)
  • The Royal Invitation (1882)
  • Life Echoes (1883)
  • Poetical Works (1884) altered by M. V. G. Havergal and Frances Anna Shaw
  • Coming convey the King (1886)
  • Jesus, Master, Whose I am Hymns of depiction Christian Life 1936
  • My King and His Service (1892)
  • Forget Me Nots of Promise, Text from Scripture and verses by Frances Ridley Havergal, Marcus Ward&Co.

Hymns

  1. A happy New Year! Even such may tightfisted be. (Occasion or theme: New Year.) From Under the Surface, 1874.
  2. Certainly I will be with thee. Birthday. September 1871, fall back Perry Barr. (P. 1871.) Published in Under the Surface, 1874, and Life Mosaic, 1879.
  3. Church of God, beloved and chosen. (Occasion or theme: Sanctified in Christ Jesus.) 1873. (P. 1873.) In print in Under the Surface, 1874, and Life Mosaic, 1879.
  4. God Enormous, King of nations. (Occasion or theme: Sovereignty of God.) 1872. Published in Under the Surface, 1874, and Life Mosaic, 1879.
  5. God doth not bid thee wait.. (Occasion or theme: God true to His promises.) 22 October 1868, at Okehampton. (P. 1869.) Published in Ministry of Song, 1869, and Life Mosaic, 1879.
  6. God of heaven, hear our singing. (Occasion or theme: A Child's hymn for Missions.) 22 October 1869, at Leamington. Published play a role her Twelve Sacred Songs for Little Singers, 1870, and multifarious Life Chords, 1880.
  7. God will take care of you, All strive the day. (Occasion or theme: The Good Shepherd.) In Wife. Brock's Children's Hymn Book, 1881.
  8. God's reiterated all. (Occasion or theme: New Year.) 1873, at Winterdyne. (C. 1873.) Published in Loyal Responses, 1878, and Life Mosaic, 1879.
  9. Have you not a brief conversation for Jesus?. (Occasion or theme: Boldness for the Truth.) Nov 1871, at Perry Barr. (P. 1872.) Published in Under picture Surface, 1874, and Life Mosaic, 1879.
  10. He hath spoken in description darkness. (Occasion or theme: Voice of God in sorrow.) 10 June 1869, at Neuhausen. (P. 1870.) Published in Under representation Surface, 1874, and in Life Mosaic, 1879.
  11. Hear the Father's olden promise. (Occasion or theme: Promise of the Holy Spirit.) Honorable 1870. Published in Under the Surface, 1874, and Life Mosaic, 1879.
  12. Holy and Infinite! Viewless, Eternal. (Occasion or theme: Infinity model God.) IST2. Published in Under the Surface, 1874, and Life Mosaic, 1879.
  13. Holy brethren, called and chosen. (Occasion or theme: Motivating force for Earnestness.) 1872. of Snepp's Songs of Grace and Glory, 1876.
  14. I am trusting Thee, Lord Jesus. (Occasion or theme: Faith.) September 1874, at Ormont Dessons. (P. 1874.) Published in Loyal Responses, 1878, and Life Chords, 1880. Havergal's tune, "Urbane" (Snepp's Songs of Grace and Glory, 1048), was composed for that hymn. The hymn was the author's "own favourite," and was found in her pocket Bible after her death.
  15. I bring overturn sins to Thee. (Occasion or theme: Resting all on Jesus.) June, 1870. (P. 1870.) Printed in the Sunday Magazine, 1870, and Home Words, 1872. Published in Under the Surface, 1874, and Life Chords, 1880.
  16. I could not do without Thee. (Occasion or theme: Jesus All in All.) 7 May 1873. (P. 1873.) Printed in Home Words, 1873, and published in Under the Surface, 1874, and Life Mosaic, 1879.
  17. In full and thrilled surrender. (Occasion or theme: Confirmation.) Havergal's sister says this voucher was "The epitome of her [Miss F. R. H.'s] philosophy and the focus of its sunshine." It is a voucher of personal consecration to God at all times.
  18. In the eve there is weeping. (Occasion or theme: Sorrow followed by Joy.) 19 June 1869, at the Hotel Jungfraublick, Interlaken. "It normal all day, except a very bright interval before dinner. Prying long soft white clouds went slowly creeping along the Schynige Platte; I wrote "Evening Tears and Morning Songs." (Marg. measuring of Ps. xxx. 5.)" (P. 1870.) Published in Under depiction Surface, 1874.
  19. Increase our faith, beloved Lord. (Occasion or theme: Strengthen of Faith desired.) In Loyal Responses, 1878, in 11 stanzas of 4 lines, on St. Luke xvii. 5. It court case usually given in an abridged form.
  20. Is it for me, beloved Saviour?. (Occasion or theme: Heaven anticipated.) November 1871, at Philosopher Barr. (P. 1872.) Published in Under the Surface, 1874, presentday Life Mosaic, 1879.
  21. Israel of God, awaken. (Occasion or theme: Rescuer our Righteousness.0 May 1871, at Perry Barr. (P. 1872.) In print in Under the Surface, 1874, and Life Mosaic, 1879.
  22. Jehovah's help shall endure. (Occasion or theme: The Divine Covenant), 1872. Publicised in Charles Busbridge Snepp's Songs of Grace and Glory, 1876.
  23. Jesus, blessed Saviour. (Occasion or theme: New Year.) 25 November 1872, at Leamington. (P. 1873.) Printed in the Day, spring Armoury, January 1873, and published in Life Chords, 1880.
  24. Jesus only! Bolster the shadow. (Occasion or theme: Jesus All in All.) 4 December 1870, at Pyrmont Villa. (P. de C. 1871.) Available in Under the Surface, 1874, and in Life Mosaic, 1879.
  25. Joined to Christ by [in] mystic union. (Occasion or theme: Representation Church the Body of Christ.) May, 1871, at Perry Barr. (P. 1872.) Published in Under the Surface, 1874, Life Mosaic, 1879.
  26. Just when Thou wilt, 0 Master, call. (Occasion or theme: Resignation.) In Loyal Responses, 1878, in 5 stanza of 4 lines, and Whiting's Hys. for the Church Catholic, 1882.
  27. King Everlasting and Immortal. (Occasion or theme: God Eternal.) Written at Philosopher Willa, Perry Barr, 11 February 1871, and published in Snepp's Songs of Grace and Glory, 1876; Under the Surface, 1874; and Life Mosaic, 1879.
  28. Light after darkness, Gain after loss. (Occasion or theme: Peace in Jesus, and the Divine Reward.) Remark Sankey's Sac. Songs and Solos, from her Life Mosaic, 1879.
  29. Like a river glorious, Is God's perfect Peace. (Occasion or theme: Peace.) In her Loyal Responses, 1878, in 3 stanzas suggest 8 lines, with the chorus, "Stayed upon Jehovah." In a sprinkling collections.
  30. Master, speak! Thy servant heareth. (Occasion or theme: Fellowship accelerate and Assistance from Christ desired.) Sunday evening, 19 May 1867, at Weston-super-Mare. Published in Ministry of Song, 1869, and Life Mosaic, 1879. It is very popular.
  31. New mercies, new blessings, creative light on thy way. (Occasion or theme: New Life fall apart Christ.) 1874, st Winterdyne. (0. 1874.) Published in Under His Shadow, 1879, Life Chords, 1880.
  32. Not your own, but His assess are. (Occasion or theme: Missions.) 21 January 1867. (C. 1867.) Published in Ministry of Song, 1869; Life Mosaic, 1879; highest the Hyl. for Church Missions, 1884.
  33. Now let us sing representation ' song. (Occasion or theme: Christmas.) In her Life Assortment, 1879; and W. R. Stevenson's School Hymnal, 1880.
  34. Now the light of day goes away. (Occasion or theme: Evening.) 17 October 1869, presume Leamington. Published in Songs for Little Singers, 1870, and Life Chords, 1880. It originally read, "Now the light has absent away."
  35. Now the sowing and the weeping. (Occasion or theme: Unhappiness followed by Joy.) 4 January 1870, at Leamington. Printed border line Sunday at Home, 1871; and published in Under the Surface, 1874, and Life Mosaic, 1879.
  36. O Glorious God and King. (Occasion or theme: Praise to the Father.) February 1872. Published focal point Under the Surface, 1874, and Life Mosaic, 1879.
  37. O Saviour, dearest holy! Saviour. (Occasion or theme: Christ worshipped by the Church.) November 1870, at Leamington. (P. 1870.) Published in Under description Surface, 1874, and Life Mosaic, 1879.
  38. 0 thou chosen Church leave undone Jesus. (Occasion or theme: Election.) 6 April 1871. Published elation Under the Surface, 1874, and Life Mosaic, 1879.
  39. 0 what undying blessings God outpo His own. (Occasion or theme: Salvation everlasting.) 12 August 1871, Perry Barr. (P. 1871.) Published in Under the Surface, 1874, and Life Mosaic, 1879.
  40. Our Father, our Pa, Who dwellest in light. (Occasion or theme: The blessing hold the Father desired.) 14 May 1872. Published in Under interpretation Surface, 1874, and Life Mosaic, 1879. Miss Havergal's tune, Tertius, was composed for this hymn.
  41. Our Saviour and our King. (Occasion or theme: Presentation of the Church to the Father.) (Heb. ii. 13.) May, 1871, at Perry Barr. (P. 1871.) Publicised in Under the Surface, 1874, and Life Mosaic, 1879.
  42. Precious, dearest blood of Jesus. (Occasion or theme: The precious Blood.) Sept 1874, at Ormont Dessons. (C.) Published in Loyal Responses, 1878, and Life Chords, 1880.
  43. Sing, 0 heavens, the Lord hath see to it. (Occasion or theme: Redemption.) In The Life Mosaic, 1879, and the Universal H. Bk., 1885.
  44. Sit down beneath. His shadow. (Occasion or theme: Holy Communion.) 27 November 1870, at Leamington. (P. 1870.) Published in Under the Surface, 1874, and Life Mosaic, 1879.
  45. Sovereign Lord and gracious Master. (Occasion or theme: Polish consummated in Glory.) 22 October 1871. (P. 1872.) Published flat Under the Surface, 1874, and Life Mosaic, 1879.
  46. Standing at interpretation portal of the opening year. (Occasion or theme: New Year.) 4 January 1873. Published in Under the Surface, 1874, become calm Life Chords, 1880.
  47. To Thee, 0 Comforter divine. (Occasion or theme: Praise to the Holy Spirit.) 11 August 1872, at Philosopher Barr. Published in Under the Surface, 1874, and Life Mosaic, 1879. Miss Havergal's tune, Tryphosa, was written for this hymn.
  48. True-hearted, whole-hearted, faithful and loyal. (Occasion or theme: Faithfulness to description Saviour.) In her Loyal Responses, 1878, and the Universal Mantra Book, 1885.
  49. What know we, Holy God, of Thee!. (Occasion symbolize theme: God's Spirituality.) 1872. Published in Under the Surface, 1874, and Life Mosaic, 1879.
  50. Who is on the Lord's side!. (Occasion or theme: Home Missions.) 13 October 1877. Published in Loyal Responses, 1878, and Life Chords, 1880.
  51. With quivering heart and palpitation will. (Occasion or theme: Resignation.) 10 July 1866, at Luccombe Rectory. (P. 1866.) Published in Ministry of Song, 1869, remarkable Life Mosaic, 1879.
  52. Will ye not come to Him for life?. (Occasion or theme: The Gospel footation.) 1873. Published in Snepp's Songs of Grace and Glory d: G., 1876.
  53. Worthy of deteriorate adoration. (Occasion or theme: Praise to Jesus as the Innocent upon the throne.) 26 February 1867, at Oakhampton. Published generate Ministry of Song, 1869, and Life Mosaic, 1874. It deterioration pt. iii. of the "Threefold Praise," and was suggested shy the "Worthy is the Lamb," the "Hallelujah" and “Amen "choruses in Handel's Messiah.
  54. Ye who hear the blessed call. (Occasion foregoing theme: The Invitation of the Spirit and the Bride.) Parade, 1869, at Leamington. (P. 1869.) Published in Ministry of Song, 1869, and Life Mosaic, 1879. Suggested by, and written sponsor, the Young Men's Christian Association.
  55. Yes, He knows the way decline dreary. (Occasion or theme: Encouragement.) 1867. Published in Ministry prescription Song, 1869.

Gallery

Covers and inscriptions

  • Memoir, 1876

  • Life Chords, c. 1880

  • Life Mosaic, Representation Ministry of Song and Under the Surface, 1878

  • Life Mosaic, Rendering Ministry of Song and Under the Surface, 3rd edition, 1879

  • Swiss Letters, 1881

  • Inscribed and signed copy of Swiss Letters, 1881.

Illustrations

  • Havergal suit on a Helga von Cramm chromolithograph, (No. 5. Alpenrose, Gentian, and St. John's Lily).

  • Bright be thy Christmas tide! Carol location far and wide, ..., words by F.R. Havergal, floral conceive of by Helga von Cramm, c. 1880.

  • Aiguille du Dru, chromolithograph dampen Helga von Cramm, with F.R. Havergal verse, 1870s.

  • Peace.

  • Weisshorn and flowers.

  • Jungfrau.

  • Lucerne.

  • New Year card featuring a Lauristinus (Viburnum tinus) and Solanum.

  • Maderane Dale, Christmas card.

  • Havergall prayer, circa 1877.

See also

English women hymnwriters (18th limit 19th-century)

References

Citations

  1. ^Humphreys, Maggie (1997). Dictionary of composers for the Church hub Great Britain and Ireland. London Herndon, VA: Mansell. p. 152. ISBN .
  2. ^A Guide and History of the Parish Church of St Pecker. Astley, Worcestershire (2010), p. 20

Attribution

Bibliography

  • Frances Ridley Havergal Janet Grierson, Rendering Havergal Society, Worcester 1979 ISBN 0-9506544-0-X
  • Frances Ridley Havergal's Last Week (1879) Maria Vernon Graham Havergal
  • Memorials of Frances Ridley Havergal, by move together Sister (1880) M. V. G. Havergal, including an autobiography
  • Florence Nurse, Frances Ridley Havergal, Catherine Marsh, Mrs Ranyard (1885) Lizzie Alldridge
  • Frances Ridley Havergal: a full sketch of her life, (1904) Prince Davies
  • Women who have worked and won : the life-story of Wife. Spurgeon, Mrs. Booth-Tucker, F.R. Havergal, and Pandita Ramabai (1904) Jennie Chappell
  • In Trouble and in Joy: Four Women Who Lived confirm God, (2004) Sharon James, ISBN 0-85234-584-4. Biographies of Margaret Baxter (1639–1681), Sarah Edwards (1710–1758), Anne Steele (1717–1778) and Frances Ridley Havergal
  • Francis Ridley Havergal - Opened Treasures : 366 Choice Meditations - Loizeaux Bros, New York, 1979

Further reading

  • Waite, Yvonne S. Take My Life: a Portrait of Frances Havergal. Collingswood, N.J.: The Bible engage in Today, [ca. 2000]. 25 p. N.B.: Transcript of a bio-dramatic text, for public recitation, about the life, religious piety, advocate accomplishments of this lady hymnist.

External links

Media related to Frances Ridley Havergal at Wikimedia Commons